THE PRACTICE: CLASSROOM CONTEXT -- Choice-based art education provides resources and opportunities to construct knowledge and meaning in the process of making art.
Content Presented By:
Teaching for Artistic Behavior Partnership

Research Summary for Classroom Context

The goal of an open-ended learning environment is "to immerse learners in rich experiences, using various tools, resources, and activities with which to augment or extend thinking" (Hannafin, Hill, & Land, 1997). An ideal learning environment is structured to support student learning and growth physically, emotionally, and developmentally. Elements such as effectively structured time, carefully arranged space, and thoughtfully chosen materials are the basis for classroom management. Providing choice-based learning centers allows the teacher to respond to student needs and key in on teachable moments.

TIME

Established routines, such as having students sit in "listening seats" at the beginning and ending of class, provide "a similarity of environment (actions, feelings, formats, routines) that keys students into their environment" and "turns on their operators for that particular kind of activity" (Saphier & Gower, 1997). The effective use of starting time (for new material and review) and ending time (for review and assessment) targets students' ability to remember what happens at the beginning and end of a class period (Saphier & Gower, 1997).

In the choice-based art classroom, students are invited to structure time to fit the needs of their learning styles and the work that they have chosen (Baker, 2001; Ediger, 1999). Hart (1983) writes, "Where the setting offers mastery with a good deal of freedom of choice, students will...take on surprising risks, and often make good on them. But the setting must allow the time and continuity the projects require. Conversely, students held to short efforts that can be completed within a factory-school time frame are being effectively prevented and discouraged from building experience in undertakings that demand more planning, dedication, and perseverance, qualities normally regarded as of high value." The teacher plans for whole-class, direct instruction to be brief, leaving more time for the students to work (Douglas, 1993).

SPACE

The arrangement of space is of great importance in the choice-based classroom (Cyert; Szekely, 1988; Ediger, 2001; Baker, 1999, Johnson et al, 1990). As New (1993) states, "The environment informs and engages the viewer." Saphier & Gower (1997) discuss observations made in effective classrooms, where every inch of space is used productively and the design encourages positive student activity, organized traffic patterns, and a comfortable noise level. An orderly environment helps students to achieve more optimally. The teacher needs to evaluate the learning environment continually and make any changes necessary to motivate student learning (Ediger, 1999).

New (1993) writes, "Other supportive elements of the environment include ample space for supplies, frequently arranged to draw attention to their aesthetic features...clearly designated spaces for large- and small-group activities...designed to encourage playful encounters. It is no wonder that Reggio Emilia teachers refer to the environment as OUR THIRD TEACHER."

MATERIALS

The organization of materials is a key component of the choice-based classroom (Szekely, 1988; Douglas, 1993; Perrone, 1989; Ediger, 1999). Perrone (1989) explains, "Children know what learning materials--paint, brushes, wood ...--are available and where they are stored as well as understand that they have virtually complete access to them. If children must ask permission to use the items, which usually involves waiting, or do not know what is available, they may well lose interest or have limited opportunities for exploring new areas. It should be noted, too, that the children do things for themselves--mix paints, clean brushes. ... These simple chores are part of the process of earning self-reliance and responsibility."

Materials that the students use should be visibly stored and accessible to facilitate efficient getting and putting away (Saphier & Gower, 1997). "Concrete materials stimulate and motivate pupil learning" (Ediger, 1999). "Students who are given the responsibility to select their own materials and tools are more resourceful as they develop competence and skill through exploration of the materials" (Linderman, 1974). All materials should be usable independently after minimal introduction (Lowenfeld, 1987; Smith, 1995; Douglas, 1993).

The classroom is organized around various learning centers (Douglas, 1993; Baker, 2000; Ediger, 1999). Learning center experiences also help children develop a sense of responsibility, as well as problem-solving and decision-making skills. The multiple techniques and methods used in centers accommodate different learning styles. At centers, children have a chance to collaborate with others and to work with a variety of materials and activities. Children plan, select, and assess their learning (Baker, 2000). "Semi-concrete materials (illustrations, slides, videotapes, filmstrips, CDs, computer software and personal computers) as well as films should also be located at each station" (Ediger, 1999). Centers contain menus, adult exemplars, and student exemplars (Saphier & Gower, 1997; Douglas, 1993; Ediger, 1999).

INSTRUCTION

"In teaching art to children the most important element is the teacher, for the teacher has the important task of providing an atmosphere conducive to inventiveness, exploration, and production" (Lowenfeld, 1987). By providing direct instruction through a demonstration accompanied by explanation and visuals, teachers are able to appeal to a variety of learners (Gardner, 1990). "Educators who teach in a constructivist manner respond to students and help them make connections and foster expanded knowledge by encouraging analysis and interpretation through open-ended questions and student dialogue" (Brooks & Brooks, 1993). In choice-based classrooms, experiences are varied and open-ended (Linderman, 1974; Lowenfeld, 1987; Baker, 2000). They provide ample opportunities for student learning, allow for individual differences and learning styles, and are, by their nature, developmentally appropriate (Ediger, 1995; Baker, 2000).

CHOICE

A student-centered approach to teaching "enables individuals to address their unique learning interests and needs, examine content at multiple levels of complexity, and deepen understanding" (Land, 1996). Flowerday and Schraw's phenomenological study about teacher beliefs in instructional choice indicates that teachers strongly support choice as a way to improve "affective response by increasing students' ownership, interest, creativity, and personal autonomy." A number of proponents of choice-based teaching and learning have made this claim (Deci, 1992; Kamii, 1991; Kohn, 1993). The philosophy of learning station use is that students will achieve more if they may choose what to pursue and what to omit (Ediger, 1999). As Eisner (1999) writes, "We are the shapers of the environment, stimulators, motivators, guides, consultants, resources. But in the end, what children make of what we provide is a function of what they construe from what we offer. Meanings are not given, they are made."

References

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Brooks, J. & Brooks, M. (1993). In search of understanding: The case for constructivist classrooms. Alexandria, VA: Association for Supervision and Curriculum Development.

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Douglas, K. (1993). Centers-based art education. Unpublished master?s thesis, Cambridge College, Cambridge, Massachusetts.

Ediger, M. (1999). Organizing for instruction in mathematics. Journal of Instructional Psychology, 26, 85.

Ediger, M. (1995). Philosophy in curriculum development. Kirksville, MO: Simpson Publishing.

Eisner, E. (1999). Uses and limits of performance assessment. Phi Delta Kappan, 80 (9). Retrieved August 2002 from http://www.pdkintl.org/kappan/keis9905.htm

Florida Department of Education, Office of School Improvement. (2001). ?Ride the Wave? to success in the classroom: Successful strategies for learning-centered classrooms and their management (Wave Series #17). Retrieved August 2002 from http://osi.fsu.edu/waveseries/wave17.pdf

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